- Deterministic hash-based character portraits and reference sheets
- Implemented strict early Renaissance aesthetic controls and role-specific headwear rules
- Added audiobook batch export scripts and progress tooling
- Verified book profiles with a new 'confirmed' state tracking mechanism
- Updated Pillow dependency for robust image handling
- Configured .gitignore for audiobook and audio cache exports
Re-cast all three volumes end to end and compared each against its existing
cast. Book 03 finished at 9 unknown, below the 25-line cast it replaced, and
its fused multi-turn segments — one voice reading both sides of an exchange —
fell from 60 to 6. Speaker counts stayed level with the hand-corrected books
instead of inflating, confirming the phantom-speaker filter and the label
consolidation both hold.
Agreement with the hand-corrected books is 81-82%. The largest remaining
error is systematic ping-pong inversion, where a whole exchange alternates
onto the wrong speaker, followed by epithets that share no tokens with the
canonical name.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Consolidation ran only at cast completion, but recast/repair passes assign
speakers of their own and can re-introduce the variants just removed —
confirmed live: a freshly cast book gained "Alrik" alongside "Alrik von
Blautann" during auto-repair, splitting one character across two voices again.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
One character is referred to by several labels across a book — bare vs full
name, a title on its own, a stray fragment — and each variant became its own
cast entry with its own voice, so the character audibly changed voice
mid-scene. Measured against a hand-corrected book this accounted for more of
the disagreements than genuine misattributions.
Variants are folded together only when one label's words are a strict subset
of another's after stripping articles and titles, so "Weber" and "Alter Weber"
stay separate and unrelated names never merge. Applied to a real cast:
Sharraz -> Sharraz Garthai, Baronin -> Baronin Ira von Seewiesen,
Von -> Oberst Alrik von Blautann (40 lines, 58 -> 54 speakers).
Also moves the quotation-mark toggle into the A- / A+ toolbar row.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
CSS cannot target a character inside a text node, so the marks are now wrapped
in their own .ab-q element at render time and hidden with a single class on
body. Toggling is instant regardless of segment count, and the stored text is
never modified.
Also fixes the toggle looking inert on a freshly cast book: it previously only
added missing marks and never hid the ones the book already carried. Button
moved bottom-right as a larger labelled pill, clear of the search controls.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
German prose never quotes narration, so displaying the guillemets makes a
mislabeled line obvious at a glance. Extraction strips them from ~80% of
segments, so they are rendered rather than stored: dialogue rows display
wrapped in » «, lines that kept their own marks are left as-is, and the saved
text is untouched so synthesis and exports are unaffected. A toolbar button
toggles visibility and the choice persists.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Adjacent segments merge when they share a speaker, but an unattributed line
carries the speaker "Unknown", so two consecutive Unknown lines compared as
equal and were fused into a single block joined by a blank line. Confirmed
against the source text: Lysandra's line and Perdia's interruption — two
separate paragraphs in the book — became one segment, after which no
attribution pass could separate them and one voice would read both sides of
the exchange.
"Unknown" means the speaker is not known, never that two lines share one.
Narration and lines with a real speaker name merge exactly as before.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
A trailing inquit names only the last speaker, so applying it to a block
holding multiple turns silently mis-credited the earlier one — a wrong
attribution is invisible where an Unknown is not. Such blocks are now skipped
by the grammar rules and left for the LLM pass or a manual split.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
"Darrags Stimme klang tonlos." after a quote names who just spoke, but the
voice-announcement rule only looked at the narration before a line, so this
mirror image stayed Unknown. Verified on the book (-> Darrag).
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Driven by unresolved lines in a real German novel:
- AB_SPEECH_VERBS was missing many common inquit verbs (grunzte, versetzte,
unterbrach, drängte, herrschte, keuchte, erklärte, widersprach, warf ein …)
and had no thought verbs at all, so inner monologue ("dachte Lysandra") was
never attributed.
- A trailing inquit naming two people ("unterbrach die blonde Perdia Lysandra")
resolved to the wrong one; the grammatical subject speaks, so articles and
adjectives are skipped and the first name after the verb wins.
- A quote whose own inquit had been mistyped as dialogue could never resolve,
because the rule required the following segment to be narration. A segment
opening with a lower-case speech verb is an inquit whatever its type; it is
now accepted and its type corrected.
Verified on the book: resolves further lines with no LLM call.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Opening a book always restored the localStorage draft and then pushed it to the
server as a backfill, so a tab holding an older copy silently overwrote newer
work saved from anywhere else — confirmed live: a cast improved from 79 Unknown
lines to 25 was destroyed by opening the book in a stale tab. Local and server
drafts are now compared by savedAt, the newest wins and is cached locally, and
the server is only backfilled when the local copy is actually newer.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The Identify/Cast flyouts were hard-anchored to open above their trigger,
which suited the casting panel's bottom footer but clipped them off the top of
the screen in Studio, where the same toolbar sits near the top — the first two
entries were unreachable. They now pick the side with space, prefer opening
downwards, stay clamped inside the viewport and scroll if taller than it.
Also reorders the Identify menu to the sequence the passes should run in, with
the one-click Auto-repair cast first.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Spoken lines that PDF extraction typed as narration were invisible to
"Identify unknown characters" (it only scans type==='dialogue'), so no number
of re-runs could fix them, while the pass that could re-sent all ~1000
narration segments to the LLM. Adds a detector that scores narration for
direct-speech signals and re-checks only those: 36 candidates instead of 1036
on a real novel. Adds "Auto-repair cast" to chain the passes in the right
order automatically after casting.
Also fixes a rollback gap where stopping a run skipped the safety net that
undoes a pass which increased Unknown speakers (confirmed live: 80 -> 159
with no warning), corrects an attribution rule that taught the model the
listener is the speaker, and stops the threshold loop from re-verifying every
narration segment each round.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Fish-Speech clones from the app's own saved WAV library but was missing from
the set of backends populated with those voices, so the UI probed the Fish
server for a voice-listing endpoint it does not have, showed "Fetched 0
voices" and left the engine unusable despite being healthy. It now reports
the full library (218 voices).
Also adds a Fish-only panel listing all 49 documented emotion tags with
click-to-insert and a multi-emotion example, and corrects the backend's
advertised capabilities: it was flagged style_aware with "emotion markers are
honoured per request", but measurement shows a reference clip's in-context
prosody overwhelms inline tags (10x loudness spread across emotions without a
reference, 1.2x with one). It is now described by what it does well:
deterministic, byte-reproducible cloning.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The emotion quick-pickers added in 1.20.5 guarded with
`typeof REH_EMOTIONS === 'undefined'`, but REH_EMOTIONS is a const declared
later in the bundle's single shared scope — `typeof` on a const in its
temporal dead zone throws instead of returning "undefined", which aborted
top-level initialization for every module bundled after tts-preview.js.
The pickers now read window.REH_EMOTIONS on a deferred macrotask.
Also: emotion instructions are now always built in English (spoken text and
the native-accent clause stay in the book's language), which controlled A/B
testing showed produces a far cleaner prosodic gradient from Qwen3-TTS; and
Fish-Speech now receives temperature/top_p/repetition_penalty, which it was
the only backend never to have forwarded.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
Fish-Speech emotion tags were silently ignored on non-English books: per-line
emotions are LLM-generated in the book's own language, but Fish-Speech only
recognizes English [tag] markers, and a double-tagging bug was stacking a
broken server-derived tag on top of the client's own. Added a DE->EN
translation table and removed the double-tagging. Also wires the existing
book-profile context and race_species field into character portrait prompts
(previously only used for voice design), adds a recast-until-threshold loop
for casting, and adds backend-aware emotion quick-picks to Read Aloud, Try a
Voice, and Conversation.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
For a designed voice the instruct prompt is the voice's identity — the TTS
engine reproduces the voice from that text alone. The only copy saved was the
`note` display summary, clipped to 240 characters, which left 43 of 73 voices
cut off mid-sentence. Save the complete prompt in its own field so the engine
can register a voice from the whole description.
Existing voices keep working from the clipped copy (it still carries gender,
accent and timbre) and pick up the full text when next redesigned.
Pairs with the engine-side fix in tts-dgx-spark-faster-qwen3-tts.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Voice consistency:
- Read back each voice's pinned seed (Seed Finder / Batch Seeds) on every
generation. The seed was saved to voice metadata but only ever read by the
Seed Finder's own benchmark path, so all per-voice seed pinning was inert.
- Stop coercing the "voice_design_playback" stability profile back to
"voice_clone". The pseudo-backend key isn't a real routing target, so the
backend-name normalizer silently rewrote it — reintroducing the hardcoded
seed:0 that profile exists to avoid, overriding every per-voice pin.
- Apply the accent clause on every line, not just at voice-creation time,
and reorder the instruct so emotion leads and accent trails (Qwen3-TTS
doesn't reliably follow multiple conflicting instructions).
- Pass an explicit language to Voice Design instead of leaving it on "Auto".
Audio effects:
- Add a limiter after compressor makeup gain. Makeup gain pushed peaks to
~1.9, and the final hard clip turned that into broadband distortion that
swamped the rest of the chain.
- Cascade highpass/lowpass 3 stages each (~18 dB/octave). Single-pole
filters were too gentle to band-limit speech audibly.
- Add a Bandpass control and wire it into the Telephone/Radio presets —
compression alone never sounded like a phone; band-limiting is the
defining trait.
Persona / Try It Out:
- Disable "Apply character persona" with an explanatory tooltip when the
voice has no persona saved, and error clearly server-side instead of
silently no-op'ing. Persona is typed manually per voice, never auto-filled.
- Stop dropping applyPersona in the chunked generation path (>200 chars).
- Populate the Voice Design dropdown from the user's own library rather than
filtering the engine's discovery list, which never contains custom voices.
Navigation and library:
- Use pushState instead of replaceState so browser Back/Forward step through
in-app navigation instead of leaving the app entirely.
- Show real dialogue line counts in the character sidebar instead of the
capped reference-quote count (which showed a misleading uniform "12").
Also fixes a crash in /api/transcribe-bytes that referenced an undefined
source_id in its cleanup path.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
Introduces the new Studio section (Source -> Characters -> Voices ->
Perform & Export) that reuses the existing Read Aloud/Library/Script
Rehearsal code via DOM reparenting instead of duplicating it, and rolls up
a long tail of bugs found while producing a real audiobook through it:
umlaut-eating name sanitizers, a voice picker that mispositioned itself and
capped results at 60, PDF pagination silently breaking on trimmed \f
markers, a race letting stale audio keep playing after a new line was
clicked, an alias-overlap bug that could silently redirect a voice/image
save onto the wrong character, voice design failing outright during brief
TTS backend restarts instead of retrying, sparse cast entries defaulting to
English/wrong gender, and a reassigned voice never reaching an already-open
Stage session or invalidating its cached audio. Also adds a persistent
per-line audio cache, audiobook export browsing/download, and an inline
voice-design prompt editor. Full details in CHANGELOG.md.
Co-Authored-By: Claude Sonnet 5 <noreply@anthropic.com>
A fresh (non-resume) cast unconditionally nulled _audiobook.rehId even
when retrying or recasting a book that already had a linked Rehearsal
Library record from a prior attempt — silently orphaning it and
creating a new one on the next save. Now only nulled for a genuinely
first-ever cast; retries/recasts overwrite the existing record.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Same pattern as the Casting audiobook Prompt button: a collapsible
textarea with the full extraction prompt (fields + sources/citation
schema), named-preset save/load/delete, and live persistence so edits
apply from the next passage onward. Server-side, _charsheets_prepare()
now accepts a character_sheets_prompt override (shared by the blocking
and streaming endpoints), following the same pattern already used for
the audiobook attribution prompt override.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Was a small 420px dialog with a collapsible one-line JSON preview and a
cramped 2-column chip grid. Now a big panel matching the audiobook
casting live view's shape: passage text (left) and live JSON output
(right) side by side, with a character sidebar on the right edge whose
just-updated entries are highlighted — so the user can watch each sheet
actually being built from its source passage instead of a tiny opaque
progress bar.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
Two gaps observed in real casting output:
1. A mid-quote " - " (em-dash pause) was being read as the end of the
quotation, handing the rest of the line to a wrong/new speaker.
2. Narration naming whose voice is about to speak (e.g. "Marcians
Stimme wirkte nicht mehr so fest") wasn't being used to resolve the
following unattributed line away from 'Unknown'.
Added as rules 11/12 to the client-side AB_DEFAULT_PROMPT (the prompt
actually sent to the LLM) and to normalizeCastingPrompt()'s migration
so already-saved custom prompts pick them up automatically, same
mechanism as the earlier Doppelpunkt-Regel upgrade. Also added
equivalent rules to the server-side fallback prompt in
routes/conversation.py for completeness, though the client-sent prompt
is what's actually used in normal operation.
Co-Authored-By: Claude Fable 5 <noreply@anthropic.com>
